Tag: #senryu #poetry #poetrycommunity

  • Japan Fair Haiku Contest 2025

    Delighted to have won #2ndPrize in the #JapanFair #HaikuContest2025!

    Entries came in from 35 countries:
    358 haiku poems in English, including 24 youth entries
    368 haiku poems in Japanese, including 256 youth entries

    Grateful to the Judge Michael Dylan Welch for taking time out to review and select the winning English entries and for his insightful and beautiful comments. Acolades to Japan Fair for celebrating the spirit of #haiku.

    Congratulations to the #winners & #HMs.šŸ’•šŸ’

  • Cold Moon Journal

    Cold Moon Journal featured my #haiku on 13th July 2025

    Grateful to dear Timothy Daley & Oana Cercel, Editors, for the honor. Do visit the blog site & Insta for reading a range of poetic forms.

  • Guru Purnima

    Happy Guru Purnima to all!
    Remembering my first Haiku Guru Late Dr Angelee Deodhar. We wrote this collaboration in July 2016 and it was published on thesongis website of Marianne. šŸ™šŸ’šŸ’•

    GURU PURNIMA 2016
    A Collaborative between Neena Singh and Angelee Deodhar

    Tonight the full moon
    scatters petals of light
    golden strains of music float
    remembered from the past…

    I remember the Guru
    who showed me where to look
    not what to see, held a brush
    as he ground ink for me…

    he walked beside me unseen
    a lamp held high till
    the scent of jasmine
    resonated in my soul

    stumbling over rocks
    through muddy streams I went
    tasting the wild waters
    and fruit I didn’t know

    the ineffable wonder of life
    the sacred mystery unveiled
    I bow to the Guru, who reflects
    the moon in me tonight.

  • Modern Haiku

    So happy to have my #senryu featured in Modern haiku journal, 56.2.

    Grateful to Paul Miller, Editor for kind acceptance & publication.

    Congratulations to all #poets whose poetry is featured in this prestigious print journal. #ModernHaiku, #haiku, #senryu

  • failed haiku #110

    A new month dawns and brings more good tidings! #failedhaiku, a journal of English senryu, Vol 10, Issue 110 is online.
    Grateful to dear @Kelly Sauvage Moyer,
    Editor for accepting my 4 #senryu.

    Congratulations to all featured #poets in the beautiful bumper issue. @Senryulournal

  • Flying Fish Haiku Journal

    Flying Fish Haiku Journal, issue #2, July 2025 is now live.

    Grateful to dear Richa Sharma, Founder & Editor for the inclusion of my #senryu inspired by the recent indo-pak conflict.

    Congratulations to the featured poets.

  • Haiku Girl Summer

    A lovely surprise from Haiku Girl Summer today to find my rain #haiku featured with friends in the Pleasures of Rain.

    Grateful to Allyson Whipple, Editor & Kelly Barnes Sargent, Guest Editor for the honor!

  • Triveni Spotlight

    Honored to be featured in Triveni Haikai India’s Spotlight feature today on 17th June 2025. Grateful to you dear @Kashiana Singh, Guest Editor for selecting this ku which is very close to my heart. Your writeup is brilliant whichnI have shared here.

    Many thanks to dear Anju Kishore and Mohua Maulik for hosting this feature and to the Founder of Triveni Haikai India—Kala Ramesh for this space to learn and grow.

    Mono no Aware: The Tenderness of Ending

    In Japanese tradition, jisei—death poems composed by individuals on the brink of death—offer final reflections on life, impermanence, and the unknown beyond. Often brief, stark, and yet tender, these poems do not resist death but instead accept it as part of the natural rhythm of existence. Through nature imagery and minimalism, jisei endure as a person’s final parable, their distilled teaching to those left behind.

    Haiku, too, teaches us to see each moment as both a birth and a death. In its nakedness, haiku captures the bardo moments described in the Tibetan Book of the Dead—transitions between realms, between states of being. Every moment we live contains the seed of both beginning and ending.

    The Japanese aesthetic of mujo (impermanence) and mono no aware (“the beauty of transient things”) is naturally embedded in haiku, urging us to see not tragedy, but tenderness in the inevitable cycle of change.

    In Indian philosophy, this cycle of life, death, and rebirth—samsara—is also seen as a sacred, continuous flow. Death is not a rupture but a return, part of the great wheel of existence. Acceptance of transitions, whether through mourning rituals, river immersions, or the lighting of a pyre, reflects a deep understanding that endings are inseparable from beginnings.

    Thus, haiku echoes a universal wisdom across ancient cultures: to live is to move through endless openings and closings, with tenderness for what must pass.

    Haiku strips away all but the essence. A poet can express an entire cosmos of grief, gratitude, and wisdom in just a few words. In contemplating death through haiku, we are also contemplating life—its urgency, tenderness, and fleeting beauty.

    Through the acceptance of death, we are offered not despair but profound connection: to one another, to the seasons, and the moment-by-moment act of living.

    This month, i bring to you a selection of haiku that speak directly to the themes of death, loss, rebirth, and the bittersweet beauty of transience

    – Kashiana Singh

  • Shadow Pond Journal

    Delighted to be featured in issue V of Shadow Pond, a Journal of haiku & senryu today. The theme was ā€œLoveā€.

    early thaw
    my wedding ring
    slips a little

    Grateful to Katherine E Winnick, Editor
    for the honor. Congratulations to all featured #poets.

    shadowpondjournal.blogspot.com

  • Cold Moon Journal

    Cold Moon Journal featured my #senryu on 3rd June 2025.

    Grateful to dear Timothy Daley & Oana Cercel, Editors, for the honor. Do visit the blog site & Insta for reading a range of poetic forms.

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