Up on Triveni Haikai India’s SPOTLIGHT feature today on 9th October 2025 is my humpback whale haiku selected by Guest Editor Rupa Anand.
Grateful dear Rupa for selecting this haiku which is a dear favorite of mine, first published on VSANA. (Viewing Stone Association of North America) kindly selected by Tom Elias, Editor. šš
Honored to be featured in Triveni Haikai India’s Spotlight feature today on 17th June 2025. Grateful to you dear @Kashiana Singh, Guest Editor for selecting this ku which is very close to my heart. Your writeup is brilliant whichnI have shared here.
Many thanks to dear Anju Kishore and Mohua Maulik for hosting this feature and to the Founder of Triveni Haikai IndiaāKala Ramesh for this space to learn and grow.
Mono no Aware: The Tenderness of Ending
In Japanese tradition, jiseiādeath poems composed by individuals on the brink of deathāoffer final reflections on life, impermanence, and the unknown beyond. Often brief, stark, and yet tender, these poems do not resist death but instead accept it as part of the natural rhythm of existence. Through nature imagery and minimalism, jisei endure as a person’s final parable, their distilled teaching to those left behind.
Haiku, too, teaches us to see each moment as both a birth and a death. In its nakedness, haiku captures the bardo moments described in the Tibetan Book of the Deadātransitions between realms, between states of being. Every moment we live contains the seed of both beginning and ending.
The Japanese aesthetic of mujo (impermanence) and mono no aware (“the beauty of transient things”) is naturally embedded in haiku, urging us to see not tragedy, but tenderness in the inevitable cycle of change.
In Indian philosophy, this cycle of life, death, and rebirthāsamsaraāis also seen as a sacred, continuous flow. Death is not a rupture but a return, part of the great wheel of existence. Acceptance of transitions, whether through mourning rituals, river immersions, or the lighting of a pyre, reflects a deep understanding that endings are inseparable from beginnings.
Thus, haiku echoes a universal wisdom across ancient cultures: to live is to move through endless openings and closings, with tenderness for what must pass.
Haiku strips away all but the essence. A poet can express an entire cosmos of grief, gratitude, and wisdom in just a few words. In contemplating death through haiku, we are also contemplating lifeāits urgency, tenderness, and fleeting beauty.
Through the acceptance of death, we are offered not despair but profound connection: to one another, to the seasons, and the moment-by-moment act of living.
This month, i bring to you a selection of haiku that speak directly to the themes of death, loss, rebirth, and the bittersweet beauty of transience
The beautiful haikuKATHA issue 36, October 2024 is live on the Triveni haikai website.
Congratulations to dear Kala Ramesh & the brilliant Editorial Team for another fantastic issue. Grateful to the Tanka Editors – Firdaus Parvez, Kala, Priti Aisola & Suraja Menon Roychowdhury for the inclusion of my tanka among the gallery of poems by talented haijin. Congratulations to all featured poets. Read the lovely issue here:
Up on Triveni Haikai India’s Spotlight feature on 17th October 2024 is my haiku selected by Guest Editor Rupa Anand. Grateful to you dear Rupa for showcasing it on full moon night. Have a blessed Sharad Purnima! šš
Many thanks to dear Vidya Shankar and Teji Sethi for hosting this feature and to the Founder of Triveni Haikai IndiaāKala Ramesh for this space to learn and grow. š
Up on Triveni Haikai India’s Spotlight feature on 29th August 2024 is my haiku selected by Guest Editor Baisali Chatterjee Dutt. Grateful to you for selecting this haiku which is a dear favorite of mine dear Baisali.
Many thanks to dear Vidya Shankar and Teji Sethi for hosting this feature and Founder of Triveni Haikai IndiaāKala Ramesh for this space to learn and grow.
distant birdsong⦠an old friendās letter falls from my diary
ā Neena Singh, Poetry Pea, S6 E35
Here is the link:https://www.trivenihaikai.in/post/triveni-spotlight-29-aug-2024
Dear Kamrun Nahar shared that my haiku published in Cold Moon thanks to Editor Robin Jacobson was up in Triveni Spotlight on 5th May. Sorry to have missed it, sharing now.
The commentary by Kamrun shows her deep love of poetry, coupled with a love for Nature and its creations. š
My gratitude to dear Guest Editor Kamrun, Teji Sethi and Vidya Shankar – Hosts & Founder-Director Kala Ramesh. Triveni is a great source of learning for us and itās an honor to be in the Spotlight! šš
ļæ¼Grateful to Billie Dee, Guest Editor of Triveni haikai & hosts Muskaan Ahuja & Lakshmi Iyer for featuring one of my haiku alongwith Daipayan Nairās lovely ku published in haikuKATHA on this weekās Triveni ThinkALONG/WriteALONG blog. The topic is karumi – ālight-heartedā as advocated by Basho, the grand old master of haiku.
Do visit the website, subscribe and enjoy its multiple features if you are serious about learning Japanese short forms of poetry.
Delighted to be in TriveniāthinkALONG on 3rd & 4th October 2023. Thanks dear Lakshmi for the good news!
A TUESDAY FEATURE
hosts: Muskaan Ahuja & Lakshmi Iyer
guest editor: Daipayan Nair
Grateful to dear Daipayan for digging out this haiku of mine published in THF Haiku Dialogue with the Editor’s Commentary. Friends desirous of learning more about haiku may like to visit the Triveni websiteāhttps://www.trivenihaikai.in/post/thinkalong-3-october.
Daipayan writesāI would invite you all to write a haiku using the sound alliteration and make us all hear the unsung notes!
haikuKATHA the monthly journal of Triveni Haikai India, issue 20, June 2023 is live. Honoured to have a #haiku and #tanka #prose in the beautiful issue, featuring the best in contemporary haikai literature.
Grateful to dear Kala Ramesh, @kalaramesh8, Founder & Managing Editor and her talented team of Editors.