Tag: #vsana

  • VSANA

    VSANA featured this Landscape stone for October —kasahara-san.

    Grateful to Tom Elias, Editor for publishing two of my #tanka on their website.

    Congratulations to all featured poets.

  • VSANA – Home Stone

    VSANA featured this Home stone last month—an attractive hut stone with a natural aged appearance, collected several years ago in the Yuha Desert in extreme southeastern California near the borders of Arizona and Mexico.

    Grateful to Tom Elias, Editor for publishing both my #tanka and a #senryu on their website.

  • VSANA

    Happy to share my3 #tanka published in #VSANA—Viewing Stone Association of North America on September 1, 2025. These are in response to Buddha’s Stone—Fossil coral has long been recognized and collected in China for its aesthetic qualities.

    Grateful to dear Tom Elias, Editor, VSANA who says, “When I displayed this piece in an upright position, it reminded me of another symbolic Buddhist hand gesture—the Vitarka Mudra.”

    Congratulations to all fellow poets featured.

  • VSANA – March 2025

    Happy to share my 3 haiku/senryu published on the website of #VSANA (Viewing Stones of North America).

    Grateful to dear Thomas Elias, for the acceptance and publication.

    The stone for March was “Cape Hangen” the Seta river stone named Cape of the Depressed Boulder by its previous owner.

    Congratulations to all featured #poets.

    www.vsana.org
    vsana.viewing_stone

  • VSANA

    Happy to share my #tanka and two #haiku #senryu published on the website of VSANA (Viewing Stone Association of North America).

    Grateful to dear Thomas Elias, for the acceptance and publication.
    The stone was “Kwaeseok”, a Korean landscape stone, prized for its features.

    Congratulations to all featured poets.
    www.vsana.org
    vsana.viewing_stone

  • VSANA

    Happy to share my 3 #haiku/#senryu published in #VSANA—Viewing Stone Association of North America today. These were composed on “Higashi-Yama” stone display for November 2024.

    It is amazing to see how these stones inspire our imagination and trigger such diverse poems.

    Grateful to dear Tom Elias, Editor, VSANA and Congratulations to all fellow poets featured. www.vsana.org
    vsana.viewing_stone

  • VSANA

    Happy to share my 3 #haiku/#senryu published in #VSANA—Viewing Stone Association of North America. These were composed on “Shadows in the Mind” stone display for October 2024.
    It is amazing to see how these stones inspire our imagination and trigger such diverse poems.
    Grateful to dear Tom Elias, Editor, VSANA and Congratulations to all fellow poets featured.
    www.vsana.org
    vsana.viewing_stone

  • VSANA

    Happy to share my 2 #haiku/#senryu and a #tanka published in #VSANA—Viewing Stone Association of North America today. These were composed on “An Abstract Painting by Picasso?” stone display for September 2024. This is a Namhangang River Korean stone.

    It is amazing to see how these stones inspire our imagination and trigger such diverse poems.

    Grateful to dear Tom Elias, Editor, VSANA and Congratulations to all fellow poets featured. www.vsana.org
    vsana.viewing_stone

    https://www.vsana.org/ppp-28-sep-1–24

  • VSANA August

    Happy to share my 3 poems published on the website of #VSANA (Viewing Stones of North America). Grateful to dear Thomas Elias, for the publication.

    The stone for August was -“Friend of Bamboo”, a stone from the Boshan mountain in China.

    How a stone can trigger creativity and all of us penned diverse poems!Congratulations to all featured #poets.

    www.vsana.org
    vsana.viewing_stone

  • VSANA – June

    Happy to share my 2 senryu poems published on the website of VSANA (Viewing Stones of North America). Grateful to dear Thomas Elias, for the acceptance and publication. 

    The stone for June was the Senshu Pot stone. These stones (Tsubo-ishi) are round or nearly round concretions with a hole suggesting a thick-walled pot. They are found in the Wakayama mountain range overlooking the Osaka Plain. When they are dug from the earth, they are covered with red soil that must be removed with a wire brush.