The Haiku Foundation’s Haiku Dialogue this week had the theme of success in fulfilling resolutions made during the year. Over 200 poets from 36 countries sent in over 300 poems.
Grateful to Guest Editor John S Green for including my ku in the selections this week. 😊
Always an honor to feature in Charlotte Digregorio’s Writer’s Blog.
Today my Buddha haiku is featured, grateful to Hidenori Hiruta san who first published it in World Haiku Series 2021 and to dear Charlotte for republishing.
Namu Myōhō Renge Kyō—Devotion to the Mystic Law of the Lotus Sūtra 🙏
Happy to feature in The Haiku Foundation’s Haiku Dialogue on 4th January, 2023.
Thanks to Guest Editors Sherry Grant & Zoe Grant for selecting my ku written on this week’s prompt: Childhood Memories—school days. You took me down memory lane…
Sharing a photo of my beloved pup Ruby—my childhood friend 6 decades back!
Reading through the Blo͞o Outlier Journal senryu special, imagine my delight at finding my senryu in the Editor’s Commentary! Sharing::
all of the raspberries with grandson on tiptoe
Neena Singh
“I can almost feel myself on tiptoe as well. I never knew any of my grandparents but have met thousands in action and know how special they can be. Here a grandparent is having fun with their grandson, both as an adult guardian but also to share a childhood both gone and one still happening. The approach to this poem is longest line first, and it’s almost as if the line lengths mimic a tree’s shape.
There’s more to this, as the information is given in a poetic order, involving us, rather than ‘telling’ us something as a passive bystander. If I reversed the poem into a short long short tercet (3-line verse):
on tiptoe all of the raspberries with a grandson
We’d need to add ‘a’ or ‘my’ or ‘the’ before grandson otherwise it’s a bit of a clunky line. In the original, poetically we do not need something before ‘grandson’:
If I stretch out the first two lines:
all of the raspberries with grandson
Reading those first two lines, but as two lines, it’s a rich and involving phrase already. All three lines over a single line:
all of the raspberries with grandson on tiptoe
A wonderful line, but Neena Singh has astutely used ‘enjambment’ where the breaking of the poem over different lines creates a stronger tension. Those first two glorious lines giving us a family image are shot up several notches by the third and last line of ‘on tiptoe’.
There’s a lot of craft in a simple image of two generations fruit-picking!”
Alan Summers Bloo Outlier Journal, Winter 2022, January 1, 2023
Grateful dear Alan Summers, for selecting my senryu and the beautiful skillful commentary on it. This senryu is dear to me as it brings back memories of my days in Seattle with my little grandson.
The January 2023 Haibun Special issue of Thewiseowl Emag is online. Thanks to dear Rachna Singh, Principal Editor for curating a great Walnut & Gold edition filled with beautiful haibun, insightful interviews with celebrated haiku poets Jim Kacian & Michael Dylan Welch and many interesting articles. The Haibun of prominent poets are a great read!
It also features an eclectic mix of writings and interviews with innovative artists Carl Scharwath and Sagar Suresh Naik Mule, a ‘kaavi’ artist. There is lots more. To view magazine please click:
https://www.thewiseowl.art/
A collector’s issue indeed!
As the Guest Editor for the e-magazine, their YouTube channel features my interesting tête-à-tête with Michael Dylan Welch. Inspiring & instructive. Do listen:
Haiku Blossoms—my third piece in Rhyvers published. Thanks dear S Affan Yesvi, Editor-in-Chief.
This week showcasing excerpts from the haiku teachings of Kala Ramesh, celebrated haiku poet & mentor who created Triveni Haikai India—a platform for haiku poets of the world to enjoy and promote haikai literature.
Grateful to Kala, The Haiku Foundation of USA & the British Haiku Society for their kind permission to republish.